![]() ![]() Subsequently we may attempt to reduce these feelings and perceptions to words and ideas. Music affects us by perception of the senses, which then provoke emotional reactions. Music need not have any meaning at all, and if it does, it is implicit. But music, it is often said, starts where words stop. Modern research has discovered that even Plato utilized musically constructed codes. Music also has codes and hidden meanings. ![]() In complex human society, one word can be used to mean another. The roman à clef and the nom de plume are code in another form. Literature and poetry are replete with them. ![]() Code assuredly has preliterate roots, but the growth of alphabets and the increasing sophistication of languages nurtured a corresponding development in coded messaging. The written word lends itself to the use of code. He came of age in the 1930s, inescapably aware of the not-so-distant events surrounding the trial, imprisonment and death of Oscar Wilde.īritten’s revolution was a subtle one, and he accomplished much of it by writing in code. He was also constrained by the sense of opprobrium that was still standard fare in polite, if hypocritical, society. in 1967, at which point Britten was fifty-four years old and within a decade of his death. Homosexual acts between consenting adults were decriminalized in the U.K. He could equally be recognized for awakening the contemporary operatic world to the hitherto untapped dramatic potential within the subject of homosexuality and male relationships. Message, Meaning and Code in the Operas of Benjamin Brittenīenjamin Britten is often credited with having reawakened British opera, which had lain dormant for two centuries. ![]()
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